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 When Stars Rain Down

When Stars Rain Down

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Description

Q & A with Author Angela Jackson-Brown

What interests you about the South in the 1930s as a subject for your fiction?

The south is home. I haven’t lived in the south in over 20 years, but it still resonates inside me, so I already knew I was going to write a story that centered around the south, and I have always been fascinated with that time in history that is just slightly before WWII. My daddy was a child during the time When Stars Rain Down was set, so I have a trunk load of stories that he shared with me about his life and the lives of his family. I carry those stories like a woman big with child, just waiting for the day to birth those stories into existence. Some writers have said we should let that time in history go, but as long as those stories resonate in my heart, I will listen to the cry of the stories over the cries of the critics every single time.

What should a reader expect from When Stars Rain Down?

Readers should expect to feel everything my characters feel: happiness, sadness, joy, pain, hopelessness, and redemption. My hope is that just like in life, my readers will feel the up and down nature of what it means to be Black people in the rural south in the 1930s. I know for many that era feels so long ago, but really, it was just a blink of an eye backward in time. My goal as a writer is to show every reader how much they have in common with my characters no matter who they might be because what unites us are the emotions we all feel. Maybe someone doesn’t know what it feels like to have the Klan show up at their home, but they know fear, sadness, anger, desperation…if I can help readers connect with these stories on a visceral level, then maybe we all can begin the difficult job of seeing that we are more alike than we think.

What can readers learn about our contemporary world from the world of 1936 Georgia depicted in When Stars Rain Down?

I started writing When Stars Rain Down towards the end of the Obama administration. It was both interesting and sad to see so much of the divisive rhetoric rear its head in modern society just as I was writing about the tumultuous days of the 1930s. Being Black in America has always been challenging. The Black people in my fictional town of Parsons, GA wanted three main things – the same things Black people have been craving from America since we first were kidnapped and brought to this land and that is: peace, the freedom to live our lives, and the space to be productive members of our various communities. Most of the white citizens of Parsons, GA were open to that desire of the Black citizens, but it only took a few fringe members to create much of the chaos found in my novel. Sadly, I saw a lot of that mirrored in society and unfortunately, I was able to not only pull from the past, but I was also able to pull from the present. I think the good thing that came out of life imitating art, is that is became clear to me that books like mine are designed to entertain, but to also be a cautionary tale.

Despite the hardships your characters face, your stories are full of hope. How do you write stories that acknowledge the darkness and strife in the world while maintaining a message of hope?

As a Black woman in her 50s who grew up in the segregated south, hope was sometimes the only food available to feed our souls, so I cannot imagine writing a story, no matter how tragic it might be, without leaving my readers feeling like as bad as things are, the characters will ultimately be all right. The first time my daddy took me to the 16thStreet Baptist Church in Birmingham, AL when I was about five or six, I knew of the 4 little girls who had gotten murdered there. As a Black child of the south, we were schooled from a very early age about segregation, racial hatred and violence. I remember asking daddy, “Will those bad men be there today?” Daddy looked at me sadly and said, “Not today. God willing.” That was all Daddy could offer me. Hope. But for that day, and for many days afterwards, that hope was sustaining. It wasn’t filling, but it was enough. The first draft I wrote of When Stars Rain Down didn’t sit right with me but especially the ending. I felt like I had beaten up my readers, chapter after chapter, and I had left Opal without much to look forward to in life – translation, I had stolen her hope. Instinctively, I knew both she and the reader needed and deserved hope, so, in the rewrite, I made sure I gave it to them. Readers will go on almost any journey you want to take them on, but at some point, they need a lifeline. Hopefully, the reader will walk away from this book feeling that I did just that – threw them a lifeline.



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